Directed by Sandra Curran
Produced by Mary Pat McBride
Stage Managed by Simon Chang
ABOUT THE SHOW
The Lovers’ Landing Beach Hotel, a popular wedding destination, has acquired a certain mystique as the home of Sandy Toes & Salty Kisses. Recently inheriting the hotel from her late father, Audrina Brown quickly discovers that her Uncle Bubba, the hotel manager, is running a variety of “extra-curricular activities” on the property. It’s a mystery. It’s a love story. It’s a new farce by the authors of Sex Please We’re Sixty.
From beginning to end, this side-splitting comedy takes an uproarious turn when a destination wedding goes awry. Featuring witty banter, fast-paced chaos, mistaken identities and the most inept wedding planner you’ve ever seen, will the bride and groom finally make it to the altar?
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MEET THE CAST
Sean returns to our stage as “Bubba”. He was last seen in our hits Bienvenue Oh Trout Lake (2025), Murder On The Orient Express (2023), and as the iconic Mr. Green in “CLUE: On Stage” (2022)
A multi-faceted performer, Sandy was last seen on our stage in our 2018/2019 Season (The Game’s Afoot, Red Velvet Cake War) but has also been integral to creating some of our biggest hits, include Assistant Directing CLUE: On Stage (2022) and Co-Directing Murder On The Orient Express (2023)
We’re thrilled to welcome Maya to the Milton Players stage in her first role with us. Her boundless energy and positivity is a perfect fit for the hilarious role of Candy.
Courtney is back on our stage after starring in last seasons hit Bienvenue Oh Trout Lake. Additionally, she starred in our hilarious Perfect Wedding (2020) and our all original online production Christmas is Calling (2020)
We’re so excited to have Kirsty back on our stage. Most recently she was seen in our hits A Fox On The Fairway (2025) and A Murder in Announced (2024). Outside of Milton, she’s starred in Guelph Little Theatre’s Splitsville and Can Lightning Strike Twice, among others.
Dan is returning to our stage after a star-making turn in last seasons hit A Fox On The Fairway. No stranger to performing, also appeared in The Nerd and You’ll Get Used to It (The War Show) with Ingersoll’s ITOPA, and is an accomplished singer as well!
GALLERY
Photos by Cari-Mae Therrien (CM Photography and Creative Design)
THE CREATIVE TEAM
Sandra is thrilled to make her directorial debut with Sandy Toes & Salty Kisses. Traditionally a Stage Manager, she has stage managed over 15 of our shows, most recently A Fox on the Fairway and Bienvenue Oh Trout Lake, and won a Best Stage Manager THEA Award for our 2018 production of Noises Off.
Mary Pat returns after last producing our 2025 hit Bienvenue Oh Trout Lake. She’s also just as comfortable on stage as she is behind-the-scenes, as she has starred in some of our biggest hits, including Murder On The Orient Express and Nana’s Naughty Knickers.
Simon makes a triumphant return to stage management with Sandy Toes & Salty Kisses. Most recently an Assistant Stage Manager for our production of A Fox on the Fairway, he also directed our 2016 production of Things My Mother Taught Me.
Michael Parker (1935-2019) was active in the theatre almost all his life. At age 14, in England, where he was born and raised, he won the title role in a regional production of Terence Rattigan’s play The Winslow Boy, for which he received a Best Actor of the Year award. By age 17, he was touring with The National Shakespearean Youth Company. He graduated in the top 3% of his class from The Royal Military Academy Sandhurst, but described his five years of military service as “uneventful.” There being few employment opportunities in civilian life for infantry anti-tank specialists, at age 23 he emigrated to Canada, where he began a Temporary Office Help business, which proved so successful that he was able to retire ten years later and move to the Caribbean.
Over the succeeding years, while living in Bermuda, Grand Cayman and The Turks and Caicos Islands, he was free again to indulge his passion for the theatre. Never far from The United States, he was able to audition for roles in many Florida theatres. As an English actor working in America, Mr. Parker became acutely aware of the difficulties experienced by American theatre companies in producing English works, in particular modern farces. Re-creating the wide range of English dialects is almost impossible, and many of the best farces simply do not “translate” well into “American.” So he challenged himself to write a play which would integrate all the best loved and most familiar devices of the traditional British farce into a distinctly American setting. This had to be a play in which the verbal, visual and, above all, circumstantial humor would be immediately available to American audiences.
The result was an “American farce,” The Sensuous Senator, which was inspired by the then-current sex scandal involving Senator Gary Hart. Encouraged by the success of his first play and the popularity of the British “naughty but nice” concept, he went on to write a sequel called The Amorous Ambassador. The rest, as they say, is history.
He wrote The Lone Star Love Potion in 1999, Hotbed Hotel in 2000, There’s a Burglar in My Bed and Whose Wives Are They Anyway? in 2002, Who’s In Bed with the Butler? in 2003, and Never Kiss a Naughty Nanny in 2006. With his wife Susan, he co-authored the plays Sin, Sex & the CIA (2006), Sex Please We’re Sixty! (2008), What is Susan’s Secret? (2010), Money Matters (2014), Love, Lies & the Doctor’s Dilemma (2016) and Sandy Toes & Salty Kisses (2018).
Susan Parker, a prolific Concord Theatricals/Samuel French-published playwright, forged a remarkable theatrical legacy collaborating alongside her late husband with a portfolio of seven acclaimed plays that have graced stages both in the United States and across the globe since 2006. Her creative situational comedies have transcended borders, captivating audiences in over ten different countries. Her initial production, Sin, Sex & the CIA, has dazzled audiences with over 100 performances since its debut in 2006. Meanwhile, her tour de force, Sex Please We’re Sixty, has taken the world by storm with nearly 300 productions since 2008. Susan’s artistic adeptness extends to genres beyond the traditional, as evident in works like Sex Please We’re Sixty: The Musical, Money Matters and Love, Lies & the Doctor’s Dilemma. In 2018, Susan introduced her latest gem, Sandy Toes & Salty Kisses, which, despite a two-year hiatus due to the pandemic, has rapidly gained popularity, boasting 45 productions in theatres across the United States and internationally. She is presently engaged in crafting her next play. While she takes pride in the recognition cast members and her plays receive at theatre award ceremonies, Susan’s measure of success is anchored in the multitude of sold-out performances, the resounding acclaim from positive reviews and the infectious, genuine laughter that emanates from her audiences. Susan Parker’s indomitable spirit and creative brilliance continue to leave an indelible mark on the global theatre scene today.
